{"title":"Social Science","description":"","products":[{"product_id":"topology-of-violence","title":"Topology of Violence","description":"\u003cp class=\"tab-content__title\"\u003e\u003cb\u003eOne of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eSome things never disappear violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In \u003ci\u003eTopology of Violence\u003c\/i\u003e, the philosopher Byung-Chul Han considers the shift in violence from the visible to the invisible, from the frontal to the viral to the self-inflicted, from brute force to mediated force, from the real to the virtual. Violence, Han tells us, has gone from the negative explosive, massive, and martial to the positive, wielded without enmity or domination. 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Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself.\u003c\/p\u003e\n\u003cp\u003eConcise in its expression but unsparing in its insight, \u003cstrong\u003e\u003ci\u003eThe Agony of Eros\u003c\/i\u003e\u003c\/strong\u003e is an important and provocative entry in Han's ongoing analysis of contemporary society.\u003c\/p\u003e\n\u003cp\u003eThis remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say as Rimbaud desired it the “reinvention” of love.\u003cbr\u003eFrom The foreword by Alain Badiou\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePhysical Info: \u003c\/strong\u003e114 x 178 x 6mm | Paperback\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUntimely Meditations Series | MIT Press\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Byung-Chul Han","offers":[{"title":"Default Title","offer_id":31774890885220,"sku":"9780262533379","price":750.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/AE01.jpg?v=1590817355"},{"product_id":"utopia-or-bust","title":"Utopia or Bust","description":"\u003cspan\u003eAfter the financial crash and the Great Recession, the media rediscovered Karl Marx, socialist theory, and the very idea that capitalism can be questioned.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut in spite of the publicity, the main paths of contemporary critical thought have gone unexplored outside of the academy. 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The first, well-received volume of the author's \u003ci\u003eSpheres\u003c\/i\u003etrilogy, \u003ci\u003eBubbles\u003c\/i\u003e, dealt with microspheres: the fact that individuals, from the fetal stage to childhood, are never alone, because they always incorporate the Other into themselves and align themselves with it. With \u003ci\u003eGlobes\u003c\/i\u003e, Sloterdijk opens up a history of the political world using the morphological models of the orb and the globe, and argues that all previous statements about globalization have suffered from shortsightedness. For him, globalization begins with the ancient Greeks, who represented the whole world through the shape of the orb. With the discovery of America and the first circumnavigations of the earth, the orb was replaced by the globe. 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Clastres's thesis is that economic expropriation and political coercion are inconsistent with the character of tribal society - which is to say, with the greater part of human history.\" Can there be a society that is not divided into oppressors and oppressed, or that refuses coercive state apparatuses? In this beautifully written book, Pierre Clastres offers examples of South American Indian groups that, although without hierarchical leadership, were both affluent and complex. 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Among them, Alex Bloch, Haroldo de Campos, João Guimarães Rosa, Milton Vargas, Dora Ferreira da Silva, Vicente Ferreira da Silva, Miguel Reale, Samson Flexor, and Mira Schendel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a letter to Milton Vargas of 1973, Flusser writes: \"To write a biography at 53 means 'to make biography', in the sense in which Hegel says that to write the history of philosophy means to make history and philosophy. ... to write a biography is not contemplation, but action ...\" With this intention in mind, Vilém Flusser wrote a book where he explores how his past experiences, especially the experiences within the Brazilian reality, influenced him in the formation of his philosophical project.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe particularity with which he describes this process in Portuguese makes it a work of great value in the field of philosophy and communication and deserves to be published in English translated from its original version in Portuguese. 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Canguilhem was an important influence on the thought of Michel Foucault and Louis Althusser, in particular for the way in which he poses the problem of how new domains of knowledge come into being and how they are part of a discontinuous history of human thought.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info:\u003c\/b\u003e 2.5\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ex 22.4 x 15.2 cm (0.52 kg) 336 pages\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Georges Canguilhem","offers":[{"title":"Default Title","offer_id":32013657571428,"sku":"9780942299595","price":1650.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/DSCF9538.jpg?v=1590987856"},{"product_id":"paris-peasant","title":"Paris Peasant","description":"\u003cspan\u003eBefore psychogeography, the Situationists and dream urbanism, there was Paris Peasant, a pioneering Surrealist excavation of the twentieth century's capital city\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cem\u003eParis Peasant\u003c\/em\u003e (1926) is one of the central works of Surrealism, yet Exact Change's edition is the first US publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form--Aragon consciously avoided recognizable narration or character development--Paris Peasant is, in the author's words, \"a mythology of the modern.\" The book uses the city of Paris as a stage or framework, and Aragon interweaves his text with images of related ephemera: café menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. André Breton wrote of this work: \"no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city....\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info: \u003c\/b\u003e\u003cspan\u003e1.42 x 20.4 x 15.3 cm (0.35 kg) 225 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Louis Aragon","offers":[{"title":"Default Title","offer_id":32027887435876,"sku":"9781878972101","price":760.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/Paris-Peasant.jpg?v=1590912326"},{"product_id":"skizo-mails","title":"Skizo-Mails","description":"\u003cspan\u003e\u003cspan\u003eAuthor of The Soul at Work and After the Future, Franco Berardi Bifo (born 1949) is one of today's most articulate and prominent anti-capitalism theorists. 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This publication is the first in Errant Bodies' new Doormats series, dedicated to rethinking the contemporary political sphere and demanding a focused and attentive presence and readership.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info: \u003c\/b\u003e\u003cspan\u003e1.27 x 18 x 14 cm (0.13 kg) 152 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Franco “Bifo” Berardi","offers":[{"title":"Default Title","offer_id":32028255551588,"sku":"9780982743966","price":500.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/Skizo-Mails.jpg?v=1590919296"},{"product_id":"diary-of-an-imaginary-egyptian","title":"Diary of an Imaginary Egyptian","description":"\u003cspan\u003e\u003cspan\u003e\"Writing comes up from under my skin,\" writes Brandon LaBelle. \"It creeps into my sleep, to tense my fingers; I am plunged into it, as a space for capturing a new voice, for figuring a new body: to take an empty page and to fill it, with the day to day.\" LaBelle's work as an artist and theorist focuses on the interrelation between the sonic arts, popular culture and theory, using mainly site-specific sound performances. The second volume in Errant Bodies' Doormats series Diary of an Imaginary Egyptian is LaBelle's attempt to engage the events of the Arab Spring through the diary form, in which personal memories are conjoined with broader cultural reflections on American imperialism and revolution. Written between February and June of 2011, Diary of an Imaginary Egyptian is an attempt to outline what LaBelle calls \"an agency of the intimate.\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info: \u003c\/b\u003e\u003cspan\u003e0.76 x 18 x 14 cm (0.09 kg) 112 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Brandon LaBelle","offers":[{"title":"Default Title","offer_id":32028316729444,"sku":"9780982743973","price":480.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/Diary-of-an-Imaginary-Egyptian.jpg?v=1590835112"},{"product_id":"interrupting-the-city","title":"Interrupting the City","description":"\u003cspan\u003e\u003cspan\u003eInterrupting the City explores the ways in which artistic practices and interventions intersect with the public sphere. The tactics by which an intervention is achieved may vary, ranging from a media offensive to a riot in the streets, but each time these activities affect the flow or circulation of urban public space, they also reconstitute it. Interrupting the City, edited by Sander Bax, Pascal Gielen and Bram Ieven, proposes the public sphere as a network of social, political and economic forces in constant flux, and attempts to chart the conditions under which art can contribute to or interrupt this process of the construction of public space. This volume brings together a range of internationally renowned theorists and artists to consider the relations between artistic activity and public space, and proposes how artists can develop their voices in the public sphere.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info: \u003c\/b\u003e\u003cspan\u003e2.5 x 20.8 x 13.5 cm (0.49 kg) 240 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Pascal Gielen","offers":[{"title":"Default Title","offer_id":32028371320932,"sku":"9789492095022","price":1250.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/Interrupting-the-City.jpg?v=1590908212"},{"product_id":"the-future-of-the-new","title":"The Future of the New","description":"\u003cspan\u003e\u003cspan\u003eIn The Future of the New, artists, theorists and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through the joint forces of globalization, digitization, commodification and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new? Combining timely analyses of contemporary art and inspiring visions for the future, The Future of the New attempts to set the agenda for the debate on the function, value and future of artistic innovation. It includes writings by leading theorists in this field, such as Franco 'Bifo' Berardi, Suhail Malik, Benjamin Noys, Hartmut Rosa and Nick Srnicek.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003ePhysical Info: \u003c\/b\u003e\u003cspan\u003e2.28 x 22 x 14 cm\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e(0.45 kg) 304 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Thijs Lijster","offers":[{"title":"Default Title","offer_id":32028439871588,"sku":"9789492095589","price":1250.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0269\/8067\/9780\/products\/The-Future-of-the-New.jpg?v=1590923936"},{"product_id":"hour-of-our-death","title":"Hour of Our Death","description":"\u003cspan\u003e\u003cspan\u003eThis remarkable book--the fruit of almost two decades of study--traces in compelling fashion the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature. Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century--how it has been nearly banished from our daily lives--and points out what may be done to \"re-tame\" this secret terror. The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. 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